The “Welsh” Tailor, c.1770
One of a pair of very popular satirical figures depicting a Tailor and his Wife. They were copied from figures first modelled in 1740 by the leading Meissen sculptor J.-J.Kaendler (1706-1775). According to a Meissen tradition, it was made in a mockery of the tailor of Count Heinrich von Brühl, the chancellor of Saxony. The tailor wanted to attend a court banquet but instead was represented in the form of a table decoration. The name of the figure means not the Welsh nationality, but rather the misunderstood German title: “Ein Schneider welcher auf einem Ziegenbock reutet” (A Tailor which rides a goat…). The group remained popular until the mid-19th century.
Image from: Derby Museum and Art Gallery
« Previous in this sectionNext in this section »Continue browsing this section
Derby Porcelain in the 18th and early 19th centuries
Derby Porcelain: André Planche and William Duesbury
Derby Porcelain: William Duesbury II and Robert Bloor
Pastoral Group, c.1770
Candelabrum, c. 1755-60
The Four Quarters (Continents), c.1775
Tithe Pig Group, c.1765-70
The “Welsh” Tailor, c.1770
James Quin as Falstaff, c. 1825
Edmund Kean as Richard III, c.1815
Virgins Awakening Cupid, c.1780
Frill Vase and Cover, c.1760
Blue & White Table Centre in two parts, c.1760
Ice Pail, c.1796-1800
Pot-Pourri, c.1800-1810
William Pegg’s Thistle Dish, c.1800
Dish, c.1800
Dessert Plate, c.1813-1820
William Billingsley’s Prentice Plate, 1790-1795
Dessert Dish, c.1790
A Dessert Plate from the Trotter Service, c.1825
Dessert Plate (Imari)
Coffee Can, c.1793-4
Teapot, c.1795
Teapot, c.1795
Chocolate Mug with Cover, c.1800
