James Quin as Falstaff, c. 1825
Images of popular actors were always in great demand, and were reproduced in various techniques, such as engravings, enamels and porcelain figures.
James Quin (1693-1766) was the last great actor of the declamatory school. From 1718 onwards he appeared at Lincoln’s Inn Fields’ theatre, Drury Lane and Covent Garden in a wide range of Shakespearian roles. Quin’s Falstaff was considered as the best of his time. The figure was first modelled at the Bow factory in 1749. The original source of the figure was supposed to be a mezzotint by McArdell. The influence of an accomplished Rococo style is seen in the finely curved base and rich painting and gilding. The figure was later re-modelled and re-issued several times, and this one is a later adaptation of the first Derby model.
Image from: Derby Museum and Art Gallery
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Derby Porcelain in the 18th and early 19th centuries
Derby Porcelain: André Planche and William Duesbury
Derby Porcelain: William Duesbury II and Robert Bloor
Pastoral Group, c.1770
Candelabrum, c. 1755-60
The Four Quarters (Continents), c.1775
Tithe Pig Group, c.1765-70
The “Welsh” Tailor, c.1770
James Quin as Falstaff, c. 1825
Edmund Kean as Richard III, c.1815
Virgins Awakening Cupid, c.1780
Frill Vase and Cover, c.1760
Blue & White Table Centre in two parts, c.1760
Ice Pail, c.1796-1800
Pot-Pourri, c.1800-1810
William Pegg’s Thistle Dish, c.1800
Dish, c.1800
Dessert Plate, c.1813-1820
William Billingsley’s Prentice Plate, 1790-1795
Dessert Dish, c.1790
A Dessert Plate from the Trotter Service, c.1825
Dessert Plate (Imari)
Coffee Can, c.1793-4
Teapot, c.1795
Teapot, c.1795
Chocolate Mug with Cover, c.1800
