Blue & White Table Centre in two parts, c.1760
Unlike many other English porcelain factories, very little transfer printed blue & white china was produced at Derby. Transfer printing made the wares cheaper, and it was usually applied to ordinary wares for the middle-class market. But William Duesbury aimed at aristocratic clients, and preferred his artists to paint the design by hand. However, among the few Derby blue & white wares there are items of outstanding quality. The fashion for porcelain modelled as rockwork, seaweed and shells was first introduced in England in the early days of the Chelsea factory. Shapes were often taken from natural objects, and also from silverware of an ornate style.
Image from: Derby Museum and Art Gallery
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Derby Porcelain in the 18th and early 19th centuries
Derby Porcelain: André Planche and William Duesbury
Derby Porcelain: William Duesbury II and Robert Bloor
Pastoral Group, c.1770
Candelabrum, c. 1755-60
The Four Quarters (Continents), c.1775
Tithe Pig Group, c.1765-70
The “Welsh” Tailor, c.1770
James Quin as Falstaff, c. 1825
Edmund Kean as Richard III, c.1815
Virgins Awakening Cupid, c.1780
Frill Vase and Cover, c.1760
Blue & White Table Centre in two parts, c.1760
Ice Pail, c.1796-1800
Pot-Pourri, c.1800-1810
William Pegg’s Thistle Dish, c.1800
Dish, c.1800
Dessert Plate, c.1813-1820
William Billingsley’s Prentice Plate, 1790-1795
Dessert Dish, c.1790
A Dessert Plate from the Trotter Service, c.1825
Dessert Plate (Imari)
Coffee Can, c.1793-4
Teapot, c.1795
Teapot, c.1795
Chocolate Mug with Cover, c.1800
