Dessert Plate, c.1813-1820
This plate was painted by William Pegg the Quaker, after his return to the factory in 1813. His style appreciably changed during his second term at the factory. Flowers now seem to have been intended to create a mood. They are still botanically accurate but now have been grouped and positioned for maximum visual impact.
Image from: Derby Museum and Art Gallery
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Derby Porcelain in the 18th and early 19th centuries
Derby Porcelain: André Planche and William Duesbury
Derby Porcelain: William Duesbury II and Robert Bloor
Pastoral Group, c.1770
Candelabrum, c. 1755-60
The Four Quarters (Continents), c.1775
Tithe Pig Group, c.1765-70
The “Welsh” Tailor, c.1770
James Quin as Falstaff, c. 1825
Edmund Kean as Richard III, c.1815
Virgins Awakening Cupid, c.1780
Frill Vase and Cover, c.1760
Blue & White Table Centre in two parts, c.1760
Ice Pail, c.1796-1800
Pot-Pourri, c.1800-1810
William Pegg’s Thistle Dish, c.1800
Dish, c.1800
Dessert Plate, c.1813-1820
William Billingsley’s Prentice Plate, 1790-1795
Dessert Dish, c.1790
A Dessert Plate from the Trotter Service, c.1825
Dessert Plate (Imari)
Coffee Can, c.1793-4
Teapot, c.1795
Teapot, c.1795
Chocolate Mug with Cover, c.1800
